[Tango-L] Four Layers of Tango Learning
NANCY
ningle_2000 at yahoo.com
Mon Jul 23 15:05:29 EDT 2007
Guys,
An alternative to dancing with men is to insist
that the followers do not back-lead. Too many women,
having been shown the steps they are expected to
produce, do them without getting a lead and fool the
leader into believing that he has made it happen.
Thus, we get the 'automatic' cross or the never-ending
ochos going in every beginner class. When I have
been asked to partner a beginner, I never move until I
get the lead and they quickly figure out how to make
that happen. If they try to force a movement with
their hands, I drop my hand from theirs. If they give
me a verbal lead, I smile and stand my ground. Maybe
this is why men as followers worked? Because the men
would not/could not anticipate the lead and would not
be pushed around?
Let us not forget that the highest compliment one
can bestow upon a follower is that "she waits well."
Nancy
--- "Jake Spatz (TangoDC.com)" <spatz at tangoDC.com>
wrote:
> Hi Gary,
>
> Gary Barnes wrote:
> > But, I find it enormously difficult to convince
> men of the value of practising with other men - let
> alone attending men-only classes or practices, or
> the extreme of attending a men-only intro session.
> I know one guy, who's been dancing maybe a year, who
> refuses to attend
> my men-only workshops because he wants to dance with
> women. (Not that
> I've held one lately.) I tell him he's an imbecile.
> We discuss classical
> music intermittently, and I give him dance tips
> whenever he asks,
> although I've still never felt his embrace, or he
> mine.
>
> If dealing with beginner men who are reluctant to
> dance with dudes, I'd
> call them morons, or pussies, or something to get
> them riled up-- and
> more importantly, over their stupid stone-age
> barrier. And I'd tell them
> (the truth) that my first tango exposure was in
> another man's arms, and
> that I learned the most from that; and if they think
> I'm full of it,
> they can get the hell out of my class.
>
> The two things in common about every Very Good male
> dancer I know:
> -- They know the value of dancing with another
> dude
> -- They've taken notes (even if they've
> discarded them)
>
> If you actually care about helping make better
> dancers, you'd naturally
> be infuriated at men, straight or gay, who are too
> insecure to dance
> with each other, in order to improve. You need tips
> on persuading them?
> Just give a damn, and let them know it.
>
> And if they aren't convinced, tell them to take a
> hike. If you can't do
> that, don't even bother _trying_ to persuade them.
> Find a man who can do
> the job.
>
> Or, just point (and laugh) at the men who walk like
> Susana Miller.
>
> Hope that helps, brash as it is.
>
> Jake
> DC
>
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>
<<Rito es la danza en tu vida
y el tango que tu amas
te quema en su llama>>
de: Bailarina de tango
por: Horacio Sanguinetti
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