[Tango-L] open and close embrace

WHITE 95 R white95r at hotmail.com
Sat Jul 21 17:49:36 EDT 2007


It's very interesting to read these types of threads. Generally I see a lot 
of defensiveness and hostility from the so-called close embrace gurus. I've 
never seen a single thread started by a regular salon style dancer attacking 
the "apilado" style. The reverse is often true, I really don't know why some 
people get so hung up on this subject. It's preposterous to keep harping on 
the evils of "open embrace" and the goodness and light of "close embrace". I 
found this clip of some dancers dancing a regular salon style and doing 
firuletes and figures. These guys and their partners I belive are quite 
genuine, authentic Argentine tango dancers. Anybody who would question their 
bona fides needs to go back and re-start their tango education ;-)
http://www.youtube.com/watch?v=dN617i5dB2s

It was a birthday party for Alberto Paz, the guys dancing are Mingo & Ester 
Pugliese, Facundo & Kely posadas and Pupi Castello and Graciela.

Enjoy!

Oh, BTW, in case some of you are wondering, I dance promarily in a close 
embrace style ;-)



visit our webpage
www.tango-rio.com




>From: Amaury de Siqueira <amaurycdsf at yahoo.com>
>Reply-To: amaurycdsf at yahoo.com
>To: tango-l at mit.edu
>Subject: [Tango-L] open and close embrace
>Date: Sat, 21 Jul 2007 09:44:52 -0700 (PDT)
>
>st1\:*{behavior:url(#default#ieooui) }
>Recently I have been approached by beginner level dancersasking me about 
>close embrace dancing.  It appears that in certain milongasdanced the 
>USdancers believe that close embrace is the only way to dance tango.  One 
>interestingT-Shirt worn by a male dancer claimed: “Real Man Dance Close 
>Embrace”The t-shirt was for a St. Louis Argentine Tango event.
>
>
>
>I sincerely hope that this topic generate constructivecommentaries PLEASE  
>no flaming.
>
>
>
>I feel that both close and open embrace serve different andequally 
>important functions.  Shouldn’t we as dancers be comfortable andfluent in 
>all aspects of the dance?  If so, what are the benefits ofcriticizing and 
>dismissing one style over the other?
>
>
>
>If our archives contain past exchanges in this topic cansomeone provide me 
>dates?
>
>
>
>Sincerely,
>
>Amaury
>
>
>
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