[Tango-L] Falling off your axis...
El Mundo del Tango
mail at elmundodeltango.com
Wed May 10 21:58:21 EDT 2006
<<I do hope you're not saying a girl should not be able to dance unless
she's taken classes.>>
Absolutely. That is what I am saying.
<<My favourite volcada girl has taken not one class
in her life.>>
What cable channel of your dreams is this?
Gabriel
----- Original Message -----
From: "Chris, UK" <tl2 at chrisjj.com>
To: <Tango-L at mit.edu>
Cc: <tl2 at chrisjj.com>
Sent: Tuesday, May 09, 2006 6:40 AM
Subject: Re: [Tango-L] Falling off your axis...
> Gabriel wrote, apparently seriously:
>
>> I hope(I really do) that you are not saying you can follow volcadas
>> and colgadas having no concept (The key word here) of what they are,
>> if the lead is good.
>
> To be able to do a volcada (or anything) IS to 'have the concept'. What
> other 'having the concept' could there possibly be?
>
>> That would mean any good leader should be able to pick any woman off
>> the street and make her dance.
>
> Well of course.
>
> I do hope you're not saying a girl should not be able to dance unless
> she's taken classes. My favourite volcada girl has taken not one class
> in her life.
>
> Chris
>
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> -------- Original Message --------
>
> *Subject:* Re: [Tango-L] Falling off your axis...
> *From:* "El Mundo del Tango" <mail at elmundodeltango.com>
> *To:* "Deby Novitz" <dnovitz at lavidacondeby.com>, <tango-l at mit.edu>
> *Date:* Mon, 8 May 2006 19:41:27 -0700
>
> Deby, of course "names" do not matter for the steps.
> However, I hope(I really do) that you are not saying you can follow
> volcadas
> and colgadas having no concept (The key word here) of what they are, if
> the
> lead is good.
> That would mean any good leader should be able to pick any woman off the
> street and make her dance.
>
> Gabriel
>
> ----- Original Message -----
> From: "Deby Novitz" <dnovitz at lavidacondeby.com>
> To: <tango-l at mit.edu>
> Sent: Saturday, May 06, 2006 2:01 PM
> Subject: [Tango-L] Falling off your axis...
>
>
>> Evan!!!! I have a headache...jeesh, you scientist types...I think if you
>> talk to any of the well known "dancers" they will tell you the same of
>> what I wrote. How do I describe? I never look to the man to provide me
>> with my balance or my center. I have my own. I don't know the names of
>> all these steps, because essentially they were named for export. I just
>> dance. I had that conversation with Roberto the other night. I told
>> him that people always ask me things about colgadas, volcadas, etc. and
>> I have no idea what they are talking about, I told him I just follow
>> your lead and whatever it is you want me to do. (and that is about the
>> only time I do whatever he wants me to do, so don't get any ideas..) His
>> response? "Muy bien que dijo." (What you said was right.) He said that
>> when he took from Todaro, from Avenellada, Balmaceda, there were no
>> names, you just walked or did a giro. The movements become sequences.
>> It was only when there was an influx of people from outside, that names
>> were then give to the steps. Kind of like the 8 count basic which does
>> not really exist here. (Kind of like how Argentines give directions...oh
>> you know, that place on Entre Rios sort of in the middle of the
>> block...near that other place.)
>>
>> Beyond that, I have executed many steps where we are not in front of
>> each other, and to do them properly I need to have complete control of
>> my body - which means my posture, my balance, and my center. (Think Tai
>> Chi) I need to know where my partner's axis is and he needs to know
>> mine, but if done properly , you never have to look, or even think about
>> it, it is just there. Beyond that my friend, I don't know what to tell
>> you. I cannot explain just like everyone else...sigh...where is the
>> excedrine?
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>>
>
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