[Tango-L] On Axis, Off Axis
Euroking@aol.com
Euroking at aol.com
Sat May 6 17:40:17 EDT 2006
El Bandito,
I agree that one needs to go to basics and the OED is an great source, but I
would argue it is not always exclusive. Webster's has an additional line to
the definition: 'a straight line about which a body or a geometric figure
rotates or may be supposed to rotate'. Thus I don't think only using the word
balance will be adequate IMHO.
It is the this later line that describes a dancer or anyone who is
stationary and in balance. If a dancer is out of balance (off of their own axis) they
will need, either to move to regain balance (a dynamic act) or will share
their axis (statically or dynamically) with something ( it may be a wall, a
pole or if you fall, the floor) or someone. This later is the case when two
dancers are using each other to maintain balance. If their center of mass is
forward of the vertical axis they need each other to stay vertical. This shared
axis creates a mutual balance point. The amount of sharing by the dancers
determine the amount of comfort. If I have to support my partner and move,
then I am carrying my partner and that is not fun. But if we are in a state of
dynamic balance then we share the axis and it is much easier to move.
It is my understanding that your axis is always perpendicular to the floor (
assuming the floor is level) the question is where are your legs in relation
to that point? In open embrace, you are individually trying to keep that
relationship (legs under you). In close embrace, you would normally share the
responsibility to maintain balance over a common point. These are general
points and their are exceptions.
Just some thoughts,
Bill in Seattle
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