[Tango-L] On Axis, Off Axis

Euroking@aol.com Euroking at aol.com
Sat May 6 17:40:17 EDT 2006


El Bandito,
 
I agree that one needs to go to basics and the OED is an great source, but  I 
would argue it is not always exclusive. Webster's has an additional line to  
the definition: 'a straight line about which a body or a geometric figure  
rotates or may be supposed to rotate'. Thus I don't think  only using the word 
balance will be adequate IMHO. 
 
It is the this later line that describes a dancer or anyone who  is 
stationary and in balance.  If a dancer is out of  balance (off of their own axis) they 
will need, either to move to  regain balance (a dynamic act) or will share 
their axis (statically or  dynamically) with something ( it may be a wall, a 
pole or if you fall,  the floor) or someone.  This later is the case when two 
dancers are  using each other to maintain balance. If their center of mass is 
forward of the  vertical axis they need each other to stay vertical.  This shared 
 axis creates a mutual balance point. The amount of sharing by the dancers  
determine the amount of comfort. If I have to support my partner and  move, 
then I am carrying my partner and that is not fun. But if we are in a  state of 
dynamic balance then we share the axis and it is much easier to  move.
 
It is my understanding that your axis is always perpendicular to the floor  ( 
assuming the floor is level) the question is where are your legs in relation  
to that point? In open embrace, you are individually trying to keep that  
relationship (legs under you). In close embrace, you would normally share the  
responsibility to maintain  balance over a common point. These are  general 
points and their are exceptions.
 
Just some thoughts,
 
Bill in Seattle



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