[Tango-L] A man and a woman, la marca
Euroking@aol.com
Euroking at aol.com
Tue May 9 14:50:28 EDT 2006
Nicely stated Tine, in the US using the words of Sartre: "words are loaded
pistols" since the seventies we have been assimilated.
Bill
In a message dated 5/9/2006 11:10:47 A.M. Pacific Daylight Time,
yaletangoclub at yahoo.com writes:
Sergio
This is because in the US where there are people from all possible cultures
it is very hard to say anything without people thinking you mean all sorts of
things. So the way to get along is to be vague and inclusive where possible
and use words with a broadly agreed-upon specific literal meaning. Being from
Europe, I find it rather amusing, but I also see the practical side of it
here. You can get by just fine without a sense of humor and without thinking
too much, and it makes this place much easier to understand at least
superficially. Also, you never know someone might decide to sue you.
Tine
Sergio Vandekier <sergiovandekier990 at hotmail.com> wrote:
I often wonder why people outside Argentina call the dancing partners "lead"
"leader" and "follow" "follower". As Astrid says those terms are abstract
functional denominations.
Tango, like the other ballroom dances is done by a pair of human beings,
most of the time one is a man and the other is a woman.
Furthermore, it has two very well defined roles, masculine and feminine. So
we generally call the person doing the masculine role "the man" and the one
doing the feminine role "the woman".
We know that there are all sort of possibilities when dancing: The leader
could be a woman, the follower could be a man. Both leader and follower are
men or could be women.
IMO when a man is acting as a follower he is adopting the feminine role and
when a woman is leading she is adopting the masculine role. No big deal
about it.
As you know we, men in Argentina practice together all the time. When we do
so, we say " I am going to be the woman, and you the man" . Period, there is
no prejudice attached to those transient denominations; roles are changed
during the practice again and again and everyone has the chance to be "the
man" and "the woman".
Many of us use the Argentine terminology in reference to most tango aspects,
such as name of figures, embellishments, dances, etc.
Why do so many people refuse to use the words "man" and "woman", after all a
man is just that and a woman is a woman; both beautiful specimens of our
human race. Any shame derived from adopting the other sex role could be
interpreted as an insult to the other sex. This meaning that you consider
that sex inferior. Or not? And then is us (AArgentines) that are accused
of being machistas.
Then you see some men dancing together like the Macana brothers, they are
elegant, humorous, amusing, masculine , they are spectacular and change
roles all the time while dancing. And you know what? one acts as the
"woman" and the other one is the "man" as they dance and change roles.
The other word that we use and foreigners refuse to use is "Marcar" or
"Marca".
They substituted lead, leading for marca, marcar.
La marca in tango does not have anything to do with the dictionary
definition of that noun or verb (marcar). (To put a signal on an animal,
person or object so that it may be recognized, etc).
IMO "marcar" in tango means to indicate, to invite, to suggest. The woman
waits for the suggestion, the invitation, the indication to perform a step.
So in tango there is a "man", a "woman" ; the man "marca" and the woman "
sigue" (follows).
What do you think?
Un abrazo to you all, Sergio
PS. but if you prefer to use follow, lead, leading, following please do so.
I do not care one way or the other, I am merely explained some elements of
Arentine culture.
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