[Tango-L] Line of dance and respect
HBBOOGIE1@aol.com
HBBOOGIE1 at aol.com
Wed Oct 6 10:58:24 EDT 2010
Dancing around a couple creates another problem - entering into the space
of the
dancers the next lane inward (assuming there is another lance) or into the
Brownian motion in center of the floor. This is also a navigation hazard.
The
more appropriate thing to do is to become creative with turns (clockwise
and
counterclockwise) until the offending couple progresses.
If a couple stops for an extended periods of time lets say one minute you
now have a traffic jam behind them and a humongous space between them and
the couple ahead of them. There are many skilled dancer that have no problem
being creative in a small space without moving forward however there comes
a point where someone in the traffic jam is going to make a move around
the line do dance and that’s where the free for all begins. There it is one
disrespectful idiot versus fifty tango dancers and there is nothing being
done about it. Think about a situation where one person is disrupting
something you paid good money for. Let’s say you and your date are enjoying a
movie and one guy is being offensive talking on his cell phone and using
vulgar language during the movie with no regard for anyone it the theatre. Would
something be done to get this guy removed…. in a heartbeat. What’s so
different about tango? Why do we tolerate the idiots? What’s so bad about tango
police?
In a message dated 10/5/2010 7:48:19 P.M. Pacific Daylight Time,
rontango at rocketmail.com writes:
----- Original Message ----
> From: "HBBOOGIE1 at aol.com" <HBBOOGIE1 at aol.com>
> …. Any dancer can slow up or stop the line of dance regardless
> of what style he’s dancing however some styles are danced to
specifically
> disrupt the line of dance. As a social dancer I try to always respect
the
> line of dance but most of the time when others are slowing or stopping
the
> line of dance completely you are forced to break the codes yourself
and dance
>
> around the person causing the problem
Dancing around a couple creates another problem - entering into the space
of the
dancers the next lane inward (assuming there is another lance) or into the
Brownian motion in center of the floor. This is also a navigation hazard.
The
more appropriate thing to do is to become creative with turns (clockwise
and
counterclockwise) until the offending couple progresses.
> Last you have what I call the idiots this is a very large group made
up of
> good dancers bad dancers so called teachers foreign and domestic. Some
> have been dancing for months some for years but the common denominator
they
> share is a total disregard for the line of dance. This group seems to
be
> dancing for attention or to show the woman how skilled he is. This
group
>also
>
> teaches on the dance floor and just can’t shut up and dance.
Are things getting that bad everywhere? I haven't seen too much of that
lately
because I choose where to dance based on the reputation of the milonga.
But if
this tango evolution resulting in the extinction of the ronda is what
dances
under the name of Argentine Tango today throughout the world, then those
who
abhor it can either quit tango or start having private tango parties and
only
inviting dancers who respect the ronda. The latter seems to be the
preferred
alternative.
Ron
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