[Tango-L] Some thoughts on connection
HBBOOGIE1@aol.com
HBBOOGIE1 at aol.com
Mon Nov 15 08:31:42 EST 2010
Jack you gave a perfect explanation of lead and follow.
this is the lead:..."The simplest example is the walk. It seems that I
merely walk forward, with my initial movement coming from the torso"
this is the follow......"and the lady walks backward with her initial
movement"
Brilliant
In a message dated 11/14/2010 11:52:11 P.M. Pacific Standard Time,
jackdylan007 at yahoo.com writes:
> From: Pat Petronio petronio at adam.com.au
> "Leading" & "following" can create a different mindset to "inviting" &
>"responding", >
I'm uncomfortable with both of these terminologies. 'Leading and
following'
seems
to imply that there's a concious lead by the man, which the lady
recognises and
then follows. But, in reality, both happen simultaneously and, with
correct
technique,
are built-in to the dance. The man 'Inviting' seems to imply that the lady
then
has a
choice to either accept or decline, which, surely, isn't the case.
The simplest example is the walk. It seems that I merely walk forward,
with my
initial
movement coming from the torso and the lady walks backward with her
initial
movement
coming from her foot. But I don't feel any leading or inviting - we're
simply
walking together
and, if I stop the movement of my torso, the lady stops the movement of
her foot
and waits
for whatever comes next. Or am I being too simplistic?
A teacher once told me that there is no lead and follow; the man dances
his
dance and
the lady accompanies him with her dance. This is assuming both know how to
dance.
Jack
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