[Tango-L] Community building
Stephen.P.Brown@dal.frb.org
Stephen.P.Brown at dal.frb.org
Mon Apr 28 15:15:12 EDT 2008
Hi Ron:
Oops! I should have mentioned Ron rather than Joe in my previous post
about community building. I was writing in response to Ron's and Sean's
posts about community building.
Let me clarify a few points:
What Ron described is happening in many U.S. cities--the seeming
proliferation of tango activities without a comensurate growth in
community size, with the consequence smaller and smaller attendance at any
given event.
Milongas are actually among the easiest of these activities to organize
and often the first to become what some might regard as too plentiful. In
a city like Dallas, where the new things are always considered attractive,
milongas in stable venues quite often take a back seat to new milongas in
what are likely to prove unstable venues--restaurants. Restaurants that
have a dance floor and sound system but are lacking customers will quite
often accomodate what promises to be a large crowd for for dinner and
dancing. The large turnout indicates a success to the organizer. The
feeling of success lasts until the restaurant goes out of business or
finds out that tango dancers don't drink or eat very much. (One or the
other always happens. No successful restaurant will continue to
accomodate a group that eat and drinks so little.) In the meantime, the
established milongas in venues that have been stable (because the
owners/organizers know what to expect from milongas) suffer from poor
attendance and are in danger of being discontinued for lack of income.
Similar occurrences arise with workshops. In the mid- to late 1990s,
people in Texas would check with organizers in other Texas cities to make
sure they weren't organizing a workshops too close together in time in the
three cities that then had active tango communities--Austin, Dallas and
Houston. By 2001, however, newly emerging organizers in Dallas didn't
even bother to consider schedules in their own city before scheduling
workshops. In a community that was then less than 100 active dancers, we
saw three workshops shoehorned into a six-week period with the new
organizer jumping into the middle of two already scheduled workshops. A
little bit later the same year, we saw two workshops on the same weekend,
with the new organizer saying that if she had to consider existing events
that she would be excluded from organizing. Needless to say, all of these
workshops suffered from diminished attendance. After these scheduling
conflicts, those of us that had long-standing records of organizing
workshops quit doing so. We weren't really making money on these
workshops in the first place and didn't want to take losses for the
inability to meet minimums.
I'm not justifying these market forces. I'm just saying that the dynamics
in a community change as it grows and makes a transition to market
determined outcomes. Unless one wants to make a living at
tango--something that I decided didn't suit me--what remains for founding
organizers is to accept or lament the changes for what they are or aren't.
I'm doing a little of both, but I'm leaning toward acceptance rather than
lament.
With best regards,
Steve
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