[Tango-L] North American tango orchestras/bands

AJ Azure azure.music at verizon.net
Wed May 23 16:52:21 EDT 2007


>> The below post is pretty much rude and lacking in basic
>> conceptualization of what it takes to actually play live music.
>> Try it for a day then criticize.
> 
> Hmmm... that's like a film director rejecting critics' panning of his work
> on the grounds that they've never made a film.
> 

How ironic and perfect for you to choose this example. Most critics are
hack, failures who envy directors and are only wanna be film makers.
However, some critics actually understand film making. Do dancers understand
music making EVEN if you can't? In other words pedestrian criticism is
worthless. Informed criticism is constructive.

>> save the prick-like commentary because, it doesn't make musicians want
>> to listen to you.
> 
> Any musician who needs to be /made/ to listen to his customers has already
> been chosen by Chris's Darwinian selection - for extinction.

We don't need to be made to listen but, guess what if we listen and are
spoken to that way, yeah we'll stop listening!
> 
>> many of the musicians out there are highly educated in
>> music technique, theory and history.
> 
> Well, then they surely deserve full marks in their conservertoire written
> exams. Meanwhile here in the real world, what's needed is musicians highly
> educated in delivering what dancers want.

My point is have some respect! Then perhaps learning better communication
skills so musicians can learn what dancers want might go further in your
attempts to get what you want.

_A





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