[Tango-L] Tango Dopplegangers - if looks could 'thrill'...
Club~Tango*La Dolce Vita~
dani at tango-la-dolce-vita.eu
Sat Mar 3 16:52:40 EST 2007
Hello you lot,
Has anyone ever noticed that (facially)...
Carlos Gardel = a cross between Bela Lugosi and George Raft
Robert Reis = Harpo Marx
Los Hermanos Macana = Reggie and Ronnie, The Kray Twins (almost)
Chicho Frumboli = John Belushi
Mariana Montes = A Divine Angel ;-)
Dani
'El Zorro de Tango' :-)))))
http://www.tango-la-dolce-vita.eu
----- Original Message ----
From: "Chris, UK" <tl2 at chrisjj.com>
To: Tango-L at mit.edu
Cc: tl2 at chrisjj.com
Sent: Saturday, 3 March, 2007 9:13:00 PM
Subject: Re: [Tango-L] Help... historic footage
Zorrito wrote:
> That is very cool, and a nice piece of history you have shared would
> love to see more.
Here's another cute one:
Garlos Gardel: Yira, Yira
http://www.youtube.com/watch?v=lzXeG_bjFb4
Chris
-------- Original Message --------
*Subject:* Re: [Tango-L] Help... historic footage
*From:* "David Hodgson" <DHodgson at tangolabyrinth.com>
*To:* "Tango L list" <Tango-L at mit.edu>
*Date:* Mon, 29 Jan 2007 18:02:31 -0700
That is very cool, and a nice piece of history you have shared would love to
see more.
I did keep wondering if I were watching an Argentine clip of Seven Brides
for Seven Brothers....
Zorrito...
-----Original Message-----
From: tango-l-bounces at mit.edu [mailto:tango-l-bounces at mit.edu] On Behalf Of
Chris, UK
Sent: Monday, January 29, 2007 2:05 PM
To: Tango-L at mit.edu
Cc: lesley.yogini at gmail.com; tl2 at chrisjj.com
Subject: Re: [Tango-L] Help... historic footage
Lesley
> We are looking for black and white archival footage of dancing in the
> early days... thoughts, ideas, advice???
Here a delightful clip:
http://www.youtube.com/watch?v=o7wbRu_Gago
Jorge Finkielman writes
-
The clip here belongs to a film called "Con la música en el alma" from
1951. This was the last film that Francisco Canaro produced after 16
years.. Most of his films were probably successful (there is no data about
their box office performance, probably on purpose) but he always said that
he always lost money. However, many of them are good classics.
Unlike all of the previous ones, in this one he also appears as an actor
(before and after this production, he always appeared as himself).
Although Canaro stopped his activity as producer, and renting his studios
to others, in no way this is a bad film.
This clip can be considered as politically incorrect by some people in the
United States. However, the original intention was not to make a ridicule
but to pay a homage to the black community of Buenos Aires of the 1880s
which gave their lives in the civil wars and had to endure the yellow
jack. In the early fifties, some artists (and Alberto Castillo in
particular) were recovering their musical influence:
-
People might be interested to know of Jorge's book:
http://www.gardelweb.com/the-film-industry-in-argentina.htm
Chris
_______________________________________________
Tango-L mailing list
Tango-L at mit.edu
http://mailman.mit.edu/mailman/listinfo/tango-l
_______________________________________________
Tango-L mailing list
Tango-L at mit.edu
http://mailman.mit.edu/mailman/listinfo/tango-l
_______________________________________________
Tango-L mailing list
Tango-L at mit.edu
http://mailman.mit.edu/mailman/listinfo/tango-l
More information about the Tango-L
mailing list