[Tango-L] Fame and photos
Crrtango@aol.com
Crrtango at aol.com
Thu Aug 16 18:10:26 EDT 2007
Trini wrote:
<Susana Miller's influence was in the teaching, not the dancing. Many of the
old-timers had no idea how they did what they did.>
True, but some do know how to teach. She may have figured out how to teach it
well but she never learned to dance it well. I prefer to take workshops
with someone I consider a beautiful dancer.
Admittedly many dancers are not good teachers, but more importantly, students
tend to emulate the dancers they like. Whether good or bad, a teacher is
still going to be the dance model for what they teach. That is my point: Susana
Miller is a so-so dancer with an over-inflated reputation, not an important and
influential one. She just got more publicity. The only reason her "close
embrace" approach was novel was because it appealed to people who had no sense of
tango history or never learned tango correctly in the first place. Tango has
alway been danced close, unless it was a performance (as on the stage, NOT in
the milongas). So-called "close embrace" (or milonguero or whatever) has been
around for almost a century. It is sad when the traditional way of dancing is
forgotten or ignored to the point that someone can come along and market it as
if it were a new way of dancing.
Cheers,
Charles
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