[LCM Articles] in Beirut, the Show Pauses, then Goes On (Architecture Record)

Philippe Charles Saad philippesaad at gmail.com
Thu Feb 1 16:37:07 EST 2007


in Beirut, the Show Pauses, then Goes On

January 31, 2007

"Beirut: a thousand times destroyed, a thousand times reborn" is a saying
popular enough to have once graced the posters of Lebanon's national
airline. Except for the bombing of Beirut airport and important
infrastructural arteries, however, forthcoming architecture projects in the
capital city have emerged unscathed from the recent tension between Lebanon
and Israel.

Prior to the Lebanon-Israel conflict, Beirut's most comprehensive rebirth
was begun under a reconstruction campaign spearheaded by the country's late
prime minister, al-Hariri, through Solidere, The Lebanese Company for
Development and Reconstruction of the Beirut City Center. Established in
1994 following a 15-year- long civil war, Solidere commissioned leading
architects to give a new face to the city, once feted as the Paris of the
Middle East.

The plethora of Solidere-sponsored projects includes the city's new marina,
designed by Steven Holl and L.E.FT and for which excavation just began;
completion is expected by 2009. The project is overwhelmingly significant
for a nation of seafaring merchants: It is conceived as an urban beach of
public spaces; its centerpiece building, which will include apartments, a
yacht club, shops, and restaurants, comprises staggered volumes to recall
the lapping of waves.

The London-based landscape design firm Gustafson-Porter is also playing a
large role in the Solidere operation with Shoreside Walk, a redesign for a
stretch of former shoreline, and the Garden of Forgiveness, a green space
emphasizing the common ties of people seeking reconciliation after civil
strife. Neil Porter, a director at Gustafson-Porter, speaks with passion
about working in the city: "While it may be an environment where money is
not so easily found, awareness of essential principles such as design
integrity and ecological sustainability make working in Beirut a challenging
and rewarding experience." The Garden may take on new meaning as
cross-border tolerance is debated; meanwhile, the recent spate of violence
has delayed realization, perhaps to 2009.

Jean Nouvel, much acclaimed in the Middle East for his Institute of the Arab
World Building in Paris, is the architect of a cutting-edge multi-purpose
development currently being built in downtown Beirut. The $200 million
complex, due to be completed in 2008, is expected to become an icon, its
40-story campanile-like tower soaring above the city
center. Limestone-colored like the country's historic architecture,
the tower will be sheathed in perforated aluminum shutters, recalling the
latticework of the traditional Arab house that also inspired the IMA
entrance facade.

Not all design luminary–linked projects have been commissioned by investors
like Solidere. Vincent James Associates Architects (VJAA) has designed a
soon-to-be completed student center for the American University in Beirut, a
century-old institution that is also the patron of a building by Zaha Hadid
that will open in 2008. "It's an opportunity to deal with critical
environmental and energy-saving-related issues, while catering to the needs
of a really dynamic society and reflecting the lifestyles generated by the
Mediterranean climate," VJAA principal Jennifer Yoos, says of the project.
The VJAA design features carefully articulated masses interspersed with open
courtyards to capture hillside breezes, and it provides students with a mix
of common spaces, including the rooftop terraces that define the local
quality of life.

Many of the heavyweight architect-planners working in Beirut, such as
Boston-based Hashim Sarkis, currently working on TK, and L.E.FT founders
Makram el-Kadi, Ziad Jamaleddine, and Naji Moujaes, have deep-rooted
ancestral ties to Lebanon. And although their designs have weathered the
most recent storm, like the rest of their resilient compatriots, they're
holding their breath for fear of renewed political instability while
engaging in that quintessentially Lebanese tradition of awakening the
phoenix.

*Seif El Rashidi*


http://archrecord.construction.com/news/daily/archives/070131beirut.asp
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