[Tango-L] milonga chatting
sherpal1@aol.com
sherpal1 at aol.com
Wed May 23 22:49:27 EDT 2012
So very perfect Sergio!!!!....such harsh criticisms and comments on
the list about such a beautiful social, cultural custom. If this
aggression is in your head, what must your dancing be like...the
dancers in BA are not machines that try to crank out as many dances as
possible in one evening or matinee...not only don't they start dancing
as soon as the music starts, they dance far fewer steps to each song,
there is really far less movement than in our US milongas...all this
leads to LONGEVITY with out tire or injury. It is a very valuable
strategy deployed to enable dancers to dance all night.
And a really good milonga has its own character and pulse and everyone
through their sensitivity has the shared sense about when the floor is
going to start moving. People who want more chat, pull themselves out
of the dance lanes so as not to interrupt. And the chatting in my
opinion is a bit humorous from a foreigner's point of view, usually
following the lines of: Where are you from, when did you arrive, when
are you leaving, where do you stay, what is your name, where else do
you dance. If they recognize you from a previous trip(and they always
do since they have great memories of dance styles) they will say : when
did you arrive, when are you leaving, etc, etc...IF you only learn how
to speak enough spanish to answer these routine questions, you will be
a big hit!!!
I don't know why people travel if not to learn and absorb some of the
most wonderful customs and culture of another country...other people
might just have it right...and if you incorporate these principles in
your own life and experiences, you may have a better time than you
think you are having now. Sherrie
In a message dated 5/22/2012 2:08:53 A.M. Eastern Daylight Time,
sergiovandekier990 at hotmail.com writes:
Every code has an important reason to exist, some times more than one;
that reason may only exist in Argentina and in this case the code is
not understood or necessary abroad . If you are a lady who comes to
the milonga alone, you have to be perceived as unattached for men to
ask you to dance. You show this condition by entering the milonga
alone or in company of other women, greeting briefly some friends, men
and ladies; a kiss on the cheek is no problem. You sit alone or in
company of other ladies. You do not talk to a particular man. You
accept the dance with cabeceo and stand up waiting for the man to come
close to your table or walk towards him and meet halfway. When a tango
ends and while you wait for the next one to start, this is the only
chance you have to chat with that particular man. The conversation
could be an invitation to a cup of coffee after the dance or about the
weather. In case of a date, both the man and the woman wish to keep
the "unattached condit!
ion" (for the time being) and therefore they leave the milonga alone as
they came. They meet later in certain place described during the
"chat". Another reason for the rest (talking or not) in between pieces
of music, is that a good tango dancer has the need to wait for a moment
to get the feeling of the music before he starts to dance. The same as
when he arrives to the milonga, he must sit and relax for a while,
absorbing the ambiance, studying his posibilities in reference to
possible dancing partners, perhaps having a drink, etc., before he
starts dancing. The conversation we are discussing is very brief, a
few seconds, the duration depends on when the couple in front of you
starts moving, it does (it should) not disrupt the ronda at all. Best
regards, Sergio
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