[Tango-L] The Australian context for copyright in Original Tango Music
Vince Bagusauskas
vytis at hotmail.com
Fri Feb 18 07:16:00 EST 2011
The following is a response from the Licensing Department, PHONOGRAPHIC
PERFORMANCE COMPANY OF AUSTRALIA (PPCA), to a series of questions I posed to
them:
"On 1 January 2005, the duration of copyright increased. The increase
applies to all works and sound recordings which were in copyright on that
date and those created after that date.
With regard to musical works (the written music and lyrics), copyright
subsists until the expiration of 70 years from the end of the calendar year
in which the author/composer of the work died. In relation to protected
sound recordings, copyright subsists until the expiration of 70 years after
the end of the calendar year in which the recording is first published.
This means that, while you may be playing classical music recordings, you
may still be required to hold a licence for the public performance of the
protected sound recording itself (which can be obtained from PPCA) if the
recorded version of the classical music is not more than 70 years old.
In other words, while you may be playing a Beethoven composition (in which
copyright has expired), the CD/cassette you are playing may be, for example,
by the Australian Symphony Orchestra, recorded in 1998. As the particular
recording by the orchestra is only 11 years old, copyright exists in the
protected sound recording and a licence to publicly perform it is required.
With regard to your query, regarding playing recorded music from Argentina,
I confirm we have an agreement with Argentina and a licence with PPCA would
still be required."
So there you go.
Vince
In Melbourne
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