[Tango-L] Structure of the Dance and Improvisation

[Stephen.P.Brown@dal.frb.org]

Bruno wrote:
>>The challenge in performing structured sets or permutations of 
movements' combinations as advocated by the structure of dance is that the 
dancers have to learn how to stitch movements. <<

This only true if one accepts the notion that education in tango is an 
either or proposition.  Rather than proposing that instruction consist 
soley of small rhythmic movements, refinement in the quality of movement, 
the structure of tango or step patterns, I am saying that a complete 
eduction includes all four elements.

Chris (UK) said that tango instruction ought to be similar to music 
instruction.  Those who learn to play jazz study and practice rhythmic 
elements, they work to refine their sound, they study music theory and 
practice playing scales and arpeggios (the music counterpart to studying 
structure)l, and they study and play the compositions and solos of the 
great jazz players.  Can someone successfully make the transition from 
aspiring jazz musician to accomplished jazz musician by pursuing only one 
of these four elements?  Possibly if it is the fourth element, but why 
would one choose to take such a limited approach to learning or accept 
such a limited approach from one's instructor?

With best regards,
Steve (de Tejas)