[Tango-L] Hidden benefits of the wall (was Re: Women'stechnique)

WHITE 95 R white95r at hotmail.com
Wed Jul 18 01:07:57 EDT 2007


LOL, sorry dude, it's a bummer I offended you. I did not realize that was 
your idea already. :))))

Radially,

Manuel

visit our webpage
www.tango-rio.com




>From: ceverett at ceverett.com
>To: "WHITE 95 R" <white95r at hotmail.com>, tl2 at chrisjj.com,        
>"Tango-L"<Tango-L at mit.edu>
>Subject: Re: [Tango-L] Hidden benefits of the wall (was Re: 
>Women'stechnique)
>Date: Tue, 17 Jul 2007 18:25:37 -0500
>
>Yah, another cheap shot artist.  Laugh now, monkey boy.
>
>
>On Tue, 17 Jul 2007 14:29:19 -0400, "WHITE 95 R" <white95r at hotmail.com>
>said:
> > Hi Chris,
> >
> > Perhaps you'd be interested in a system based on radians rather than
> > degrees... Just think of the wonderful symmetry that would result from
> > "lapices" drawn exactly the length of the radius created by the leg of
> > the
> > leader as he draws his lapiz. Now imagine the women doing their ochos in
> > multiples of radians... It would be much simpler and mathematically
> > precise.
> > Hey, maybe some teacher could develop the system complete with drawings,
> > illustrations and a handy internet course of study including highly
> > compressed video files. Perhaps he or she could also include some
> > cardboard
> > templates with the appropriate circles, arcs and lines drawn in. This 
>way
> > the student could practice with great accuracy, even while sitting in
> > from
> > of the computer. ;-)
> >
> > Didactically,
> >
> > Manuel
> >
> >
> >
> > visit our webpage
> > www.tango-rio.com
> >
> >
> >
> >
> >
> > >From: "Chris, UK" <tl2 at chrisjj.com>
> >
> > >Hey Christopher, you left out 115.
> > >And 247.5
> > >And 258.75
> > >And 264.375 ...
> > >
> > >Can anyone tell me where to find workshops on 267.1875? ;)
> > >
> > >--
> > >Chris
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > >_______________________________________________
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> > >http://mailman.mit.edu/mailman/listinfo/tango-l
> >
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> >
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