[Tango-L] Musicality quotient P.S.

[meaning of life]

tom

that is an great observation and a really beautiful way to perceive the dance. i like it.

on the practical side, since it would be impossible to balance and move if you were to move from someone elses center might it be beter described "to move from the combined center of the fussion between your body and hers". i think that this is how i dance with my wife, we both have our own center, but combine and move from our fused centers. and i am sure from some of the practice that we do, that when we both agree where that is that we are "on" (NIRVANA)

and of course, it is all about her, was there a question?

The Tangonista
Sponsered by P.E.T.A. (People Expressing Tango Attitude)
NOTICE - no cats were injured in the making of our music


> Date: Fri, 7 Dec 2007 14:06:03 -0800
> From: tangopeer at yahoo.com
> To: tango-l at mit.edu
> Subject: Re: [Tango-L] Musicality quotient P.S.
>
> Tai Chi ... Tai Chien, if I have spelled that correctly, is the center of the body. Dance to the center of your follower's body and you will experience the ultimate connection. Then, the woman will truly feel your musicality.
>
> It isn't about your feet, your chest, your head or your finger nails. It is all about the woman. When I put all of my concentration on how my partner's body reacts to my movements and hers, we both approach nirvana.
>
> Tango is very simple. It is all about the woman. Try on doing a variety of things with your feet while still giving the same feel to the woman. You will notice that the energy doesn't come directly from your feet. Think about the woman's body receiving your energy and you will notice that you are no longer thinking about your feet.
>
> Again, think of how the woman is receiving and reacting to energy and you will notice that all of your body is merely there to assist you. You could dance the jig with your feet and, as long as she feels pure tango musicality, she won't care.
>
> Try on feeling how the energy flows through HER body and how HER feet find the timing and the feel.
>
>
> Igor Polk  wrote:
> Some say the musicality should be expressed in feet,
> Some say that in chest.
>
> Dear associates,
> what would you say about a person who can express musicality in feet and in
> chest ( or "with" )
> Would you Adore him, or Condemn him?
>
> Igor Polk
>
>
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