[Tango-L] Invoking BA
Jay Rabe
jayrabe at hotmail.com
Mon May 29 12:52:10 EDT 2006
Jake ... well said
[my favorite excerpts]
Even ...in Buenos Aires itself ... there has always been dispute, conflict,
and competition over dancing styles. If the city is definitively anything,
it is definitively divided.
dancers [in BsAs]... have always been at each other's throats over who's got
the "real" style.
The old guard has always shut down the innovators, and the innovators have
always fought back.
Teachers are notorious for contradicting each other and also themselves.
[Tango] never even rose into prominence among Argentines, or approached
anything resembling a popular identity, until it came back from Paris with a
stamp of approval
If Buenos Aires is the mother country of the tango, she certainly needed a
lot of help raising the miscreant after she left it to perish on the stoop
of a whorehouse.
Every visiting Argentine teacher I've met in the U.S. - without exception -
[answers] questions about authenticity, [by shifting] emphasis to individual
style - not theirs, mind you, but Yours.
[and the best one IMO...]
Since the whole damn thing is an *ART* [emphasis added], ... [how can it be]
so boneheadedly orthodox ... so coweringly in search of validation[?]
Since the whole damn thing is an *ART* [emphasis added], ... [how can it be]
so boneheadedly orthodox ... so coweringly in search of validation[?]
J in Portland
www.TangoMoments.com
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