[Tango-L] Technical vs Sensual - Where are the Engineers from?
Euroking@aol.com
Euroking at aol.com
Thu May 11 13:16:30 EDT 2006
Again, the central position. I can relate only to teaching skiing (16
years) and will only comment about teaching and learning styles. I have been
learning Tango for about two plus years.
First, a good teacher knows their students, which includes their
backgrounds, other interests etc. (this takes time and can't be done in one class, too
much time)
Second, a good teacher adapts their teaching methods to the their client
base and the learning styles of that base.
Three, a good teacher can teach privates to a group (size of group will
definitely affect the how).
This comes over time. It took me 5 years of teaching to understand these
principles. Much was by trial and error. It was not that I taught poorly IMHO
during those first years, but I was not getting through to the maximum. Largely
because I would have a plan for a particular class and I would stick to it. I
was teaching the plan, I was not totally understanding the student and the
student's needs.
The breakthrough occurred when during my first class of one year [I teach 2
hour classes, once a week for eight weeks and they are the same group], I gave
7 or 8 different explanations for the same skill set I was trying to instill
in my class. I did not tell them anything other than I was going to feed
them a lot of information and it was unlikely they would remember it all of it
nor was it important that they remembered it all. What was important was
that at the end of class I asked each what ONE point they remembered. Their
answer gave me their learning style, that gave me the insight I needed to feed
information to them that from which they would be able to process and
progress. Over the years, I have learned there are at least three different
learning styles in each class. So I adapt my lesson plan to those styles and to the
individuals.
The nice thing is that some are visual learners, some are technically
oriented and if you are successful with the techies, their improvement will help
the visual learner's. I think others have presented the learning styles were
nicely so I won't rehash them.
The major difference with Tango lessons from skiing is, you have couples
with different learning styles that learn together and you have a larger group
to deal with. So it is best to assume that you will have all learning styles
and you should look for the couple of dominant styles in the group.
The key is make it fun and to do this good teachers adapt. I would like to
add, I did not take any of the comments on teaching ( dealing with engineers)
as being exclusive methods of teaching only a way of dealing with that
learning style.
Just some thoughts,
Bill in Seattle
In a message dated 5/11/2006 9:27:05 A.M. Pacific Daylight Time,
burlq7 at yahoo.com writes:
The kind of teaching where they tell you to walk like a cat or sink into the
floor is never
very useful. A good teacher should be able to tell you exactly what to do
without
resorting to analogy. Your leg does go someplace specific (to within a half
inch) and
your shoulders or embrace shift quatifiable amounts. The best teachers can
spot
what you're doing wrong and say--"you need to put your left shoulder a few
inches farther forward in this turn, so your partner feels the lead...etc"
If you tell someone to walk like a cat they may easily think that means
slinking around your hips latin-style or coming down on your toes first or
forcing your head
forward like a duck. Just because you can dance it doesn't mean you can
teach. It is
not enough to demonstrate how things are done by example. A good teacher
corrects
minute details, and not by saying "A slightly smaller cat" rather by saying,
"2 inches
to the right with your Knee bent slighty more." If you can't be very
specific you either
don't know what you want or don't have the skill to see how to correct your
student.
Sloppy teaching tends to propate myths--for example, how many times have we
heard
one beginner say to another:
"Don't use your arms, you lead with your shoulders."
Now does this mean I have my arms at my side? Does it mean I can't apply
any
preasure with my arms? Do I just kind of leave my arms behind when I turn my
shoulders? A good teacher can tell me exacactly what to do, a bad one just
gives me more platitudes to repeat. I will just go around saying, "Listen
to the music"
and "it is all in the connection" and "You can dance a whole dance and only
move 2 feet down the dancefloor if you really feel the music." (which you
can do
but is sure plays havoc with the line of dance).
yours
Burleigh
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