[bioundgrd] Fwd: IAP 2009 Events Sponsored by History
Janice Chang
jdchang at MIT.EDU
Tue Dec 16 14:50:57 EST 2008
>From: Mabel Chin <mchin at MIT.EDU>
>Subject: IAP 2009 Events Sponsored by History - Please forward
>Date: Tue, 16 Dec 2008 13:28:18 -0500
>
>"Iran Through the Lens of History"
>
>Lecture and movie series deals with contemporary issues pertaining
>to Iranian politics, cinema, society and culture. The lectures will
>be delivered by Prof. Hamid Dabashi, a world renowned expert of
>Iranian history and Iranian cinema. The movie series that depict the
>multi-faceted aspect of Iranian cinema present the works of the most
>important Iranian directors.
>Contact: Bedross Der Matossian, E51-178, x3-9621,
><mailto:bedross at mit.edu>bedross at mit.edu
>
>
> "Obama's Iranian Problem"
> Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies
>Columbia University, Middle East and Asian Languages and Cul
> The presidency of Barack Obama will probably face one of its
>most daunting foreign policy tests with the Islamic Republic of Iran
>and its nuclear project. What are the terms and conditions of this
>fateful encounter between a widely celebrated and globally popular
>American president and a beleaguered Islamic republic?
> Tue Jan 6, 04:30-06:30pm, Room 2-105
>
> "Gabbeh"
> Bedross Der Matossian
> In this poetic film by Iranian director Mohsen Makhmalbaf, an
>elderly couple is involved in the ritual of cleaning their gabbeh, a
>beautiful intricately designed rug. Suddenly, a woman resembling one
>of the figures on the carpet emerges from the gabbeh. She recounts
>the history of her nomadic clan and the story of her love for a man
>outside her tribe. This magical musing on love and art won numerous
>film festival awards.
> Wed Jan 7, 06:30-09:30pm, Room 3-270
>
> "Prelude to Kiarostami's Meditative Camera"
> Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies
>Columbia University, Middle East and Asian Languages and Cul
> Over the last half century Abbas Kiarostami has worked through a
>deeply meditative camera he has taught to probe the inner anxieties
>of a world otherwise covered by the placid paucity of entirely
>vacated signs--how does this camera work, and what does it reveal?
> Thu Jan 8, 06-08:00pm, Room 3-270
>
> "The Wind Will Carry Us" (Abbas Kiarostami, 2002)
> Bedross Der Matossian
> This film's abstract, symbolic plot follows a man named Behzad
>and two colleagues as they travel from Tehran, Iran, to the tiny
>village of Siah Dareh, located on a dry, barren mountainside. There
>they observe the harsh life and everyday activities of the
>villagers. Technology -- or the lack thereof -- figures prominently
>in this film, which is considered director Abbas Kiarostami's most
>socially critical work.
> Tue Jan 13, 06:30-09:30pm, Room 4-231
>
> "Turtles Can Fly" (Bahman Ghobadi, 2004)
> Bedross Der Matossian
> Residents of an Iraqi Kurdistan village await the violent
>arrival of the invading U.S Army. A young boy named Satellite (Soran
>Ebrahim) helps clear minefields and installs equipment that brings
>in news from the outside world. Meanwhile, three orphans wander
>aimlessly, the victims of tragic happenstance. As Saddam is removed
>from power, these innocent children confront the harsh reality that
>awaits them.
> Tue Jan 20, 06:30-09:30pm, Room 2-105
>
>***************************************************************
>
>NOUR in Concert
> Bedross Der Matossian
> Fri Jan 23, 07:30-11:00pm, Killian Hall-14W-111
>
> Single session event
>
>Features the NY based musical group NOUR. NOURishing itself from
>Middle Eastern polyglot folk traditions, NOUR means pomegranate in
>Armenian, divine light in Arabic. Songs in Armenian, Kurdish,
>Turkish, Ladino, Arabic, Hebrew, Assyrian and Greek. Pomegranate is
>the heavenly fruit of the old world symbolizing fertility,
>abundance, and sanctity. In line with its pomegranate nature, NOUR
>is rich in anti-oxidants and enhances its audience's cardio-vascular
>health. EX ORIENTE LUX concert illuminates the New World with the
>divine light that NOUR brought from the Old one.
> Ayda Erbal - lead vocals, daf, dumbek, percussions
> Ozan Aksoy - vocals, saz, kaval, ney, percussions
> Bedross Der Matossian - keyboards, shvi, duduk, percussions, vocals
> Z. Umut Turem- oud, vocals
> Mustafa Avci - vocals, saz
> Gabrielle Clark - violin
> Contact: Bedross Der Matossian, E51-178, 253-9621,
><mailto:bedross at mit.edu>bedross at mit.edu
>
>******************************************************************
>
>Old Food: Ancient and Medieval Cooking
> Anne McCants, Margo Collett
> Wed Jan 7, 12-06:00pm, Next House, Country Kitchen
>
> No limit but advance sign up required (see contact below)
> Signup by: 02-Jan-2009
> Single session event
> Prereq: Stomach and sense of humor
>
> Interested in gnawing on greasy lamb shanks? Perhaps you prefer
>vetches, oats and spelt-cakes? How about fermented fish sauce? Come
>join us for an afternoon of good old--and we mean REALLY
>old--fashioned ancient & medieval cookery. We will prepare, cook,
>and eat medieval foods from both sides of the Mediterranean Sea.
>Preparations will involve the use of authentic period recipe-books.
>You are invited to join us for this afternoon of fun and feasting.
>For those with more academic interests we will have sources
>available for your reading pleasure--or horror. If you plan to
>arrive later than the start time, please indicate this when
>registering. Location:Next House, Country Kitchen
> Contact: Anne McCants, E51-293, x8-6669,
><mailto:amccants at mit.edu>amccants at mit.edu
>
>********************************************************************
>
>The Distaff Arts: Medieval Clothing Technology
> Anne McCants, Margo Collett, Miranda Knutson
> Mon Jan 12 thru Thu Jan 15, 10am-04:00pm, E51-095
>
> Enrollment limited: advance sign up required (see contact below)
> Signup by: 05-Jan-2009
> Limited to 15 participants.
> Participants requested to attend all sessions (non-series)
>
> This course explores a wide range of medieval textile and
>clothing production technologies, offering students hands on
>experience in their use. We will work with a raw fleece; card and
>spin the wool; use simple looms to weave a belt; dye a variety of
>fabrics; and design/construct a single garment - either a cloak or
>tunic. All materials provided - students must commit to all 4 days
>of class.
>
> This course will question typical characterization of medieval
>textile work as unskilled, as well as consider distinctions usually
>made between activities labeled as crafts versus those labeled as
>art.
> Contact: Anne E. C. McCants, E51-293, 258-6669,
><mailto:amccants at mit.edu>amccants at mit.edu
>
>MIT
>Massachusetts Institute of Technology
>Home | Overview | Participate | Organize | Offerings | Calendar | Search
>Comments and questions to: <mailto:iap-www at mit.edu>iap-www at mit.edu
>Academic Resource Center, Room 7-104, 617-253-1668
>Last update: 30 September 2004
-------------- next part --------------
An HTML attachment was scrubbed...
URL: http://mailman.mit.edu/pipermail/bioundgrd/attachments/20081216/951069a8/attachment.htm
More information about the bioundgrd
mailing list