[Tango-L] Law of milongas for Buenos Aires

Alberto Gesualdi clambat2001 at yahoo.com.ar
Thu May 3 13:20:34 EDT 2007


Dear friends from tango list

I have the law for milongas , approved by the town hall parliament of buenos aires on december 2006. It will be issued today , for legal enforce. It is a bit long to translate , since it is all in spanish.

But there is somethign interesting: one of the chapters, clearly define what kind of music will have to be played at the milonga to be considered and approved. I will translate this part , and if any of you wants the complete text in spanish, I can send it by private mail

warm regards
alberto


10.7.2. Specific characteristics. There are  fundamental part of the structure of the milongas the  tanda of tango, milonga and vals, the tanda of other rhytms, the cortina , and the live performance or live show.
To the extent of this law, it is understood as tanda, a group of four or five pieces danceable, related to one orchestra , or different orchestras with similar style.
The cortina is the interval between tandas within a milonga. It represent a coming change of rhytm or orchestra and a refreshment for the dancers.
The live performance or show could be made by a musical group or an orchestra, that perform their repertoire for the people to dance. It also could consist in the exhibition of one or many dancing couples, with rhytms related to tango, for which purpose the dancing floor has to be left free.
The musical offer for each night will have to be no less than 70% rhymts of tango, milonga and vals.
  
10.7.2.- Características específicas. Son parte fundamental de la estructura de las milongas la tanda de tango, milonga o vals, la tanda de otros ritmos, la cortina y la actuación o número vivo.
                A efectos de esta ley se entiende por tanda el conjunto de cuatro o cinco piezas bailables del mismo ritmo pertenecientes a una misma orquesta o a varias de similar estilo. 
                La cortina es el intervalo entre tandas en una milonga. Indica próximo cambio de ritmo o de orquesta y descanso a los bailarines.
La actuación o número vivo puede estar a cargo de un grupo musical u orquesta que ejecutan su repertorio para que el público baile. También puede consistir en la exhibición de una o varias parejas, de ritmos afines con el tango, para lo cual se deja la pista libre.
La oferta musical de cada jornada deberá ser al menos un 70% de ritmos de tango, milonga y vals.


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