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<p class=MsoNormal align=center style='text-align:center'><span
style='font-size:14.0pt;font-family:"Verdana","sans-serif";color:maroon'>“The
Subway Series”<o:p></o:p></span></p>
<p class=MsoNormal align=center style='text-align:center'><span
style='font-size:14.0pt;font-family:"Verdana","sans-serif";color:maroon'>A
Joint Colloquium Between Harvard History of Science and MIT Program in Science,
Technology, and Society<o:p></o:p></span></p>
<p class=MsoNormal align=center style='text-align:center'><b><span
style='font-size:10.0pt;font-family:"Georgia","serif"'><o:p> </o:p></span></b></p>
<p class=MsoNormal align=center style='text-align:center'><b><span
style='font-size:14.0pt;font-family:"Verdana","sans-serif";color:navy'>Charming
Augustine & the Dramatization of Mental Disturbance </span></b><b><span
style='font-size:14.0pt;font-family:"Verdana","sans-serif";color:#002060'><o:p></o:p></span></b></p>
<p class=MsoNormal align=center style='text-align:center'><b><span
style='font-size:14.0pt;font-family:"Verdana","sans-serif";color:navy'>Zoe
Beloff<o:p></o:p></span></b></p>
<p class=MsoNormal align=center style='text-align:center'><span
style='font-size:14.0pt;font-family:"Arial Narrow","sans-serif";color:navy'>Filmmaker
and Digital Installation Artist<o:p></o:p></span></p>
<p class=MsoNormal><b><span style='font-family:"Verdana","sans-serif"'>Abstract:<o:p></o:p></span></b></p>
<p class=MsoNormal><span style='font-family:"Verdana","sans-serif"'><o:p> </o:p></span></p>
<p class=MsoPlainText><span style='font-family:"Verdana","sans-serif"'>My
presentation will examine the relationship between this documentation of
hysteria in the 19th and early 20th centuries and the birth of narrative
cinema. I will screen and discuss, “Case History of a Multiple
Personality” made in the 1920’s by a psychoanalyst, Dr. Cornelius
C. Wholey and my own film “Charming Augustine”.<o:p></o:p></span></p>
<p class=MsoPlainText><span style='font-family:"Verdana","sans-serif"'><o:p> </o:p></span></p>
<p class=MsoPlainText><span style='font-family:"Verdana","sans-serif"'>“Charming
Augustine” was inspired by series of photographs and texts from the
"Iconographie photographique de la Salpêtrière". It is an
experimental narrative based on the case of a young patient, Augustine.The role
of the motion studies by Marey and Muybridge in the birth of cinema is well
known. However while they attempted to study the mechanics of the body, the
doctors at the Salpêtrière, working with similar cameras, aimed to unlock the
secrets of their patient’s minds. I wish to show how, in this environment
,doctors and patients collaborated to give birth to a melodramatic form of
representation that would come to flower in the works of D.W. Griffith. I will
compare the documentation of this case with that of Mrs X. in “Case
History of a Multiple Personality”, a film that attempts to reveal the
inner life of a woman who's unconscious appears to have been invaded by the
characters of popular cinema.<o:p></o:p></span></p>
<p class=MsoNormal><span style='font-size:10.0pt;font-family:"Georgia","serif"'><o:p> </o:p></span></p>
<p class=MsoNormal><b><span style='font-family:"Verdana","sans-serif"'><o:p> </o:p></span></b></p>
<p class=MsoNormal align=center style='text-align:center'><b><span
style='font-family:"Verdana","sans-serif"'>Monday, March 8, 2010<o:p></o:p></span></b></p>
<p class=MsoNormal align=center style='text-align:center'><b><span
style='font-family:"Verdana","sans-serif"'>4pm<o:p></o:p></span></b></p>
<p class=MsoNormal align=center style='text-align:center'><b><span
style='font-family:"Verdana","sans-serif"'>MIT, E51-095<o:p></o:p></span></b></p>
<p class=MsoNormal><o:p> </o:p></p>
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