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                  style="FONT-WEIGHT: bold; FONT-SIZE: 20px; COLOR: rgb(171,5,51); LINE-HEIGHT: 22px; FONT-FAMILY: Verdana">JOIN 
                  US TOMORROW: "How Not To Be Seen"</SPAN><BR>
                  <P>Dear friends ,<BR><BR><IMG height=150 alt=camoflage 
                  hspace=10 
                  src="http://cms.mit.edu/events/images/SLC_posterimage_photobyhannaroseshell.jpg" 
                  width=100 align=right border=1 NOSEND="1">Please join us 
                  tomorrow for CMS colloquium for a talk about camouflage, of 
                  &#8220;how not to be seen&#8221;--in film, on film, as film.</P>
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                  <P style="TEXT-ALIGN: center"><B>Thursday<BR>5pm, Building 4 
                  Room 231</B></P>
                  <HR>

                  <P><B>Hanna Rose Shell</B>, a historian and media artist, is 
                  as Assistant Professor in the Program on Science, Technology 
                  and Society at MIT. In the first part of tomorrow's talk, 
                  Shell introduces &#8220;how not to be seen&#8221; in terms of the 
                  aspiration for, and actualization of concealment in both 
                  filmic and natural ecologies through mixed-media practices 
                  that simultaneously incorporate and subvert the photographic 
                  media of reconnaissance. In the second part, Shell screens and 
                  discusses her film-in-progress, called<SPAN 
                  class=Apple-converted-space>&nbsp;</SPAN><EM>Blind</EM>, about 
                  the phenomenology of camouflage.<SPAN 
                  class=Apple-converted-space>&nbsp;</SPAN><EM>Blind</EM><SPAN 
                  class=Apple-converted-space>&nbsp;</SPAN>as in blindness, and 
                  blind as in that actively constructed structure intended for 
                  the concealment of a hunter from her game. Shell&#8217;s 
                  book<EM>Hide and Seek: Camouflage and the Media of 
                  Reconnaissance</EM><SPAN 
                  class=Apple-converted-space>&nbsp;</SPAN>will be published by 
                  Zone Books.</P><BR><I>About CMS Colloquium:</I><SPAN 
                  class=Apple-converted-space>&nbsp;</SPAN>The Comparative Media 
                  Studies colloquium series provides an intimate and informal 
                  exchange between a visiting speaker and CMS faculty, students, 
                  visiting scholars and friends. Each week during the term, we 
                  host a figure from academia, industry, or the art world to 
                  speak about their work and its relation to our studies. These 
                  sessions are free, open to the public, and serve as an 
                  excellent introduction to the Comparative Media Studies 
                  program.<BR></TD>
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                  style="FONT-WEIGHT: bold; FONT-SIZE: 15px; COLOR: rgb(51,51,51); LINE-HEIGHT: 22px; FONT-FAMILY: Arial">Coming 
                  Up...</SPAN><BR>
                  <DIV class=event_title><STRONG><I><BR>Thursday, October 
                  8</I><BR>Communications Forum:</STRONG><B><SPAN 
                  class=Apple-converted-space>&nbsp;</SPAN>"Race, Politics, and 
                  American Media"</B>Featuring Juan Williams of NPR and Gerald 
                  Hudson of the Service Employees International Union</DIV><SPAN 
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                  style="FONT-WEIGHT: bold; FONT-SIZE: 15px; COLOR: rgb(51,51,51); LINE-HEIGHT: 22px; FONT-FAMILY: Arial"><BR>About 
                  CMS</SPAN><BR>The Comparative Media Studies program at MIT is 
                  committed to the art of thinking across media forms, 
                  theoretical domains, cultural contexts, and historical 
                  periods. Both our graduate and undergraduate programs 
                  encourage the bridging of theory and practice, as much through 
                  course work as through participation in faculty and 
                  independent research projects.<BR><BR>Visit us at<SPAN 
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