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<p class="date"><strong>November 1, 2013</strong></p>
<p>The Leonardo Network Newsletter is a bi-weekly publication of Leonardo/The International Society for the Arts, Sciences and Technology (Leonardo/ISAST), bringing news and opportunities to the attention of readers interested in the creative spaces where art, science and technology connect.</p>
<h3>Support Leonardo</h3>
<p>Leonardo/ISAST is a 501(c)3 non-profit organization. We rely on the support of our community. Support Leonardo with a <a href="http://www.leonardo.info/isast/donations.html">donation</a> today!</p>
<h3>Leonardo On-Line</h3>
<p>More news and announcements are available on the <a href="http://www.leonardo.info/whatsnew.html">What's New</a> page on Leonardo On-Line.</p>
<p>All <a href="http://www.leonardo.info/e-LNN/e-LNN.html">past issues of the Leonardo Network Newsletter</a> are available on the Leonardo web site.</p>
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<h3>Events</h3>
<h4>NEXT SF LASER: 4 NOVEMBER</h4>
<p class="mainText"><img src="http://www.leonardo.info/images/LASER-logo-NEW-USF_150-border.jpg" border="0" align="left">Leonardo/ISAST and the University of San Francisco invite you to the next <strong>Leonardo Art/Science Evening Rendezvous (LASER)</strong> on Monday, 4 November, from 6:45–9:30 p.m. at the University of San Francisco, 2130 Fulton St., Fromm Hall - FR 115 - Berman Room, San Francisco, CA. The program includes presentations by UC Berkeley art historian <strong>Laura Richard</strong>, Stanford philosopher <strong>Paul Skokowski</strong>, UC Berkeley psychologist <strong>Tania Lombrozo</strong> and visual artist <strong>Sita Kuratomi Bhaumik</strong>. <a href="http://www.leonardo.info/isast/events.html#SF-LASER-Nov2013">Find out more</a></p>
<h4>NEXT UC SANTA CRUZ LASER: 5 NOVEMBER</h4>
<p class="mainText"><img src="http://www.leonardo.info/images/LASER-logo-NEW-UCSC_150-border.jpg" border="0" align="left">The Institute of the Arts and Sciences and the Division of the Arts invites you to <strong>UCSC's LASER</strong>, 5 November, 6:45 p.m. at UCSC's Digital Arts Research Center (DARC), Room 108. The line-up of presentations includes <strong>Robert Dawson</strong>, photographer and instructor of photography at San Jose State University and Stanford University; artist and designer <strong>Amy Franceschini</strong>; interdisciplinary artist <strong>Jennifer Parker</strong> with <strong>Gene Felice</strong>, a graduate student in the Digital Arts and New Media program at UC Santa Cruz; and <strong>Bruce Schumm</strong>, a professor of physics at the UC Santa Cruz Institute for Particle Physics. <a href="http://www.leonardo.info/isast/events.html#UCSC-LASER-Nov2013">Find out more</a></p>
<h4>NEXT LA LASER: 7 NOVEMBER</h4>
<p class="mainText"><img src="http://www.leonardo.info/images/LASER-logo-NEW-UCLA_150-border.jpg" border="0" align="left">The UCLA Art | Sci Center will host its next <strong>LASER</strong> event on 7 November, 7–9 p.m. This LASER event will coincide with the opening of Josely Carvalho’s exhibition <em>Diary of Smells: Shards</em>, taking place at the Art | Sci Gallery, 5–7 p.m. The evening’s program will also include a special sound performance by <strong>Gil Kuno</strong> and <strong>Carl Stone</strong>. Kuno, Stone and Carvalho, along with fellow presenters <strong>Barbara Drucker</strong>, <strong>Chris Kelty</strong>, <strong>Shana Koening</strong>, <strong>Ted Meyer</strong> and <strong>Gareth Walsh</strong>, will discuss their work and the inspiration behind it. The event is free and open to the public. <a href="http://www.leonardo.info/isast/events.html#UCLA-LASER-Nov2013">Find out more</a></p>
<h4>NEXT DASER: 14 NOVEMBER</h4>
<p class="mainText"><img src="http://www.leonardo.info/images/DASER-banner_150-border.jpg" border="0" align="left">Join us for the next <strong>D.C. Art Science Evening Rendezvous (DASER)</strong> on Thursday, 14 November, 6–8 p.m in Room 100 of the Keck Center, 500 Fifth St., N.W. This DASER event will commence with opening remarks by Niels Von Tomme, visiting curator at the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Speakers will include <strong>Missy Cummings</strong>, associate professor of Aeronautics and Astronautics and Engineering Systems, and Director of the Humans and Automation Laboratory Human-Systems Engineering Track at the Massachusetts Institute of Technology; <strong>Marko Peljhan</strong>, artist and professor in Interdisciplinary Studies in the Department of Art at the University of California, Santa Barbara; and <strong>Peter Singer</strong>, Director of the Center for 21st Century Security and Intelligence at The Brookings Institution, Washington, D.C. <a href="https://nov14daser.eventbrite.com/">Find out more</a></p>
<h3>Publications</h3>
<h4>LEONARDO JUST ACCEPTED</h4>
<p class="mainText">Check out these recently posted articles on the <strong>Leonardo Just Accepted</strong> page of the MIT Press website: "Algorithmic Art," by <strong>Frieder Nake</strong>; "Marie Meets Leonardo: A Perfect Match?" by <strong>Sue Denham</strong>; and "That Drunken Conversation Between Two Cultures: Art, Science, and the Possibility of Meaningful Uncertainty," by <strong>Andrew Yang</strong>. Leonardo Just Accepted makes recently accepted articles available online in anticipation of their subsequent publication in Leonardo journal. <a href="http://www.mitpressjournals.org/toc/leon/0/ja">Find out more</a></p>
<h4>HOUSEFIELD REVIEWS LINDA DALRYMPLE HENDERSON</h4>
<p class="mainText"><img src="http://www.leonardo.info/isast/leobooks/covers/henderson-cover_100-border.jpg" div="" align="left"><strong>James Housefield</strong> (University of California, Davis) recently reviewed Linda Dalrymple Henderson’s <em><strong>The Fourth Dimension and Non-Euclidean Geometry in Modern Art</strong></em>, published by The MIT Press as part of the Leonardo Book Series, in Choice Reviews Online: "Rarely does one find a work that accomplishes what Henderson (Univ. of Texas, Austin) has achieved so notably in this book; by looking closely at the historical record, she restores significant aspects of the intellectual and artistic climate in which much modern art was first seen. Henderson demonstrates how pre-Einsteinian notions of a spatial fourth dimension (not to be confused with time as the fourth dimension) were central to the ways modern art was conceived and discussed. . . . Long unavailable and prized by artists, collectors, and scholars, this indispensable book (1st ed., CH, Feb'84) is improved by new scholarship and thoughtful design. . . . This edition expands the chronological range and augments the scholarship of the previous edition, covering the full 20th century. The complexity of the subject notwithstanding, this book is wonderfully readable." <a href="http://cro3.org/content/51/02/51-0658.full">Find out more</a></p>
<h3>Opportunities and Community Announcements</h3>
<h4>CALL FOR ABSTRACTS: TECHNARTE 2014</h4>
<p class="mainText">Technarte, the International Conference on Art and Technology, is an annual conference that aims to present technological developments that enhance a broader expression of modern art and to provide a forum for debate and reflection between technology and art. The next conference is set to take place in Bilbao, Spain, 29–30 May 2014. Technarte is currently seeking artists, researchers, developers, engineers and other experts in technology who have developed an interesting and innovative project on art and technology to participate in next year’s conference. <em>Deadline to submit: 17 November 2013</em>. <a href="http://www.technarte.org/en/">Find out more</a></p>
<h4>CALL FOR APPLICATIONS: IMéRA SCIENTIFIC DIRECTOR</h4>
<p class="mainText">The goal of the IMéRA (Mediterranean Institute for Advanced Research) Foundation is to contribute to the emergence and development of world-class multi-, inter- and cross-disciplinary research approaches. IMéRA is currently looking for a new Scientific Director, who will assist the President and the General Director of the foundation over the course of a two-year, renewable mandate. The position is open to categories of professionals of all nationalities qualified to teach at the university level. The position will be vacant starting 1 March 2014. Deadline to apply: 6 January 2014. <a href="http://www.imera.fr/">Find out more</a></p>
<h4>CALL FOR ENTRY: TRANSMEDIALE VILEM FLUSSER RESIDENCY</h4>
<p class="mainText">Transmediale is issuing a call to individuals conducting artistic research that actively explores the capabilities and limitations of transdisciplinary and transmedial methods in contemporary culture to apply for the Vilém Flusser Residency program. Transmediale is particularly interested in the use of artistic research in exploring the links between aesthetics, materiality and politics. This program is oriented towards new and ongoing projects that will be carried out during the three-month-long residency, 1 May–31 July 2014. <em>Deadline to submit: 1 December 2013</em>. <a href="http://www.transmediale.de/content/call-for-entry-vil-m-flusser-residency-programme-for-artistic-research">Find out more</a></p>
<h4>MICROWAVE INTERNATIONAL NEW MEDIA ARTS FESTIVAL 2013</h4>
<p class="mainText">The Microwave International New Media Arts Festival is an annual festival based in Hong Kong. This year’s festival, entitled "Terra 0," will explore space as a topic of scientific research and artistic imagination. Microwave International will commence on 2 November with a keynote conference featuring Richard Castelli (France), Sarah Jane Pell (Australia), Derrick De Kerckhove (Canada), Masaki Fujihata (Japan) and Rob La Frenais (U.K.). The festival will feature various exhibitions, workshops, symposiums and screenings until it ends on 23 November. <a href="http://www.microwavefest.net/festival2013/">Find out more</a></p>
<h4>CALL FOR PROPOSALS: THE NEW MEDIA CAUCUS</h4>
<p class="mainText">The New Media Caucus, an affiliated society of the College Art Association, has issued a request for proposals of possible questions and topics for a panel and roundtable discussion on Thursday, 13 February 2014, during the College Art Association meetings in Chicago, IL. The session will address the emerging field of 3D printing in the context of art and technology and studio art, with a particular focus on pedagogy. The New Media Caucus is also seeking panelists to participate in a rapid-fire panel presentation consisting of 10 presentations, no longer than 6 minutes, 40 seconds each. <em>Deadline to submit questions/topics and panel presentation proposals: 15 November 2013.</em> <a href="http://www.newmediacaucus.org/calls/">Find out more</a></p>
<h4>CALL FOR ABSTRACTS: AAH CONFERENCE</h4>
<p class="mainText">Although digital art preceded the creation of the World Wide Web in the early 1990s, digital art has only recently become firmly established as an artistic category. Yet the term remains nebulous and includes many disparate forms and types of art. The Association of Art Historians (AAH) is calling for papers to be presented in "Parsing the Pixelated: The Histories of Digital Art," an academic session organized as part of the AAH 2014 Conference taking place at the Royal College of Art, London, U.K., 10–12 April 2014. The session will explore the definitions of and approaches toward digital art, the digital as an artistic medium and its relationship to and within art history. <em>Deadline to submit: 11 November 2013</em>. <a href="http://www.aah.org.uk/annual-conference/2014-conference">Find out more</a></p>
<h4>CALL FOR PAPERS: VISIONS OF CONTEMPORARY CUTS</h4>
<p class="mainText">The <em>Journal of Visual Culture</em>, in collaboration with the International Association for Visual Culture, Operational and Curatorial Research, the Museum of Contemporary Cuts and Kasa Gallery, is pleased to announce a new peer-reviewed issue titled "Visions of Contemporary Cuts," guest edited by Leonardo Electronic Almanac editor Lanfranco Aceti of Sabanci University, Istanbul, and Goldsmiths College, University of London, U.K. The <em>Journal of Visual Culture</em> is calling on international scholars, curators, artists and thinkers to submit papers addressing and analyzing the contemporary economic crisis, as well as the meaning of the word "cuts" and how cuts affect contemporary society. <em>Deadline to submit: 5 January 2014.</em> <a href="http://www.lanfrancoaceti.com/2013/09/visions-of-contemporary-cuts/">Find out more</a></p>
<h4>CUriosity3, COLUMBIA UNIVERSITY</h4>
<p class="mainText"><img src="http://www.leonardo.info/images/curiosity3-logo.jpg" align="left" border="0">The next installment of CUriosity3, a free public seminar program investigating the intersection of art and science, will take place on Thursday, 14 November, 8 p.m. in 501 Schermerhorn Hall, Columbia Unversity. The event, which will feature presentations and a panel discussion exploring how artists and scientists are studying and conserving our local environment through rooftop green spaces, parks and waterways, will ask the question: How might our NYC landscape look in the future? <a href="https://curiosity3-urbanecology.eventbrite.com/">Find out more</a></p>
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<p>The Leonardo Network Newsletter is a bi-weekly publication of Leonardo/The International Society for the Arts, Sciences and Technology (Leonardo/ISAST) and includes news, events and publication announcements, calls for submissions, opportunities and more.<br><br>
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