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<span style="font-size: 11pt; font-family: Tahoma;">Access 40
years of articles documenting contemporary art made with science and
emerging
technologies in the Leonardo and </span><strong><span
style="font-size: 11pt; font-family: Arial; font-weight: normal;">Leonardo
Music Journal
(LMJ)</span></strong><span style="font-size: 11pt; font-family: Tahoma;">
archives.<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Tahoma;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">Thousands of texts
by artists and researchers around the world working at the intersection
of the arts, sciences and technology can now be accessed online. Past
issues of <strong><span
style="font-family: Arial; font-weight: normal;">Leonardo</span></strong>
and <strong><span style="font-family: Arial; font-weight: normal;">LMJ</span></strong>
beginning with Volume 1 (1968) up through five years previous to the
current
year are now available to subscribers via the <span style="">JSTOR
Arts & Sciences III Collection</span>. More recent articles can be
accessed on the MIT Press website with a Leonardo or LMJ subscription.<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">In the Leonardo and
LMJ archives you will find such titles as:<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"Objects for
Producing Visual Phenomena with High Voltage
Electricity," by Louis Cork Marcheschi (Leonardo Vol. 6, No. 4, 1973)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"Alchemy, Androgyny
and Visual Artists," by Arturo Schwarz
(Leonardo Vol. 13, No. 1, 1980)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"Sculpture in the
Solar System: From Geologically Based
Earthworks to Astro-Sculpture," by Ezra Orion (Leonardo Vol. 18, No. 3,
1985)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"Cognitive Processes
in Artistic Creation: Toward the
Realization of a Creative Machine," by Charles Albert Tijus (Leonardo
Vol. 21,
No. 2, 1988)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"Rubies and Rubbish:
An Artist’s Notes on Lasers and
Holography," by Carl Frederik Reutersward (Leonardo Vol. 22, No. 3/4,
1989)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"Prosthetics,
Robotics and Remote Existence: Postevolutionary
Strategies," by Stelarc (Leonardo Vol. 24, No. 5, 1991)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"Chaos Theory and
Fractal Geometry: Their Potential Impact on
the Future of Art," by Rhonda Roland Shearer (Leonardo Vol. 25, No. 2,
1992)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"Notes On Eco-Logic:
Environmental Artwork, Visual Philosophy
and Global Perspective," by Agnes Denes (Leonardo Vol. 26, No. 5, 1993)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"The Earthworm Also
Sings: A Composer’s Practice of Deep
Listening," by Pauline Oliveros (Leonardo Music Journal, Vol. 3, 1993)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><span style=""> </span>"'Reflectionism'
and 'Diffusionism': New Tactics for Deconstructing the Video
Surveillance
Superhighway," by Steve Mann (Leonardo Vol. 31, No. 2, 1998)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"The Role of Artists
in Ship Camouflage during World War I,"
by Roy Behrens (Leonardo Vol. 32, No. 1, 1999)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">"Free Enterprise:
Virtual Capital and Counterfeit Music at
the End of the Century," by Mark Trayle (Leonardo Music Journal, Vol.
9, 1999)<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">PLUS thousands of
reviews of publications and events since
1968, which are archived in Leonardo and LMJ through Leonardo Reviews.<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">The Leonardo and LMJ
archives are available to subscribers
for an additional annual access fee of $25. Contact MIT Press
(<a class="moz-txt-link-abbreviated" href="mailto:journals-orders@mit.edu">journals-orders@mit.edu</a>) to set up your access to JSTOR today.<o:p></o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;"><o:p> </o:p></span>
<br>
<span style="font-size: 11pt; font-family: Arial;">More information is
available online at: <a class="moz-txt-link-freetext" href="http://www.leonardo.info/archive.html">http://www.leonardo.info/archive.html</a><o:p></o:p></span>
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